The ABC Murders by Agatha Christie

I have been following the official Agatha Christie website on Instagram and Twitter and their #readchristie2019 challenge in which they suggest a different Christie novel to read each month. In January they kicked the challenge off with The ABC Murders and I as I had been lucky enough to receive this beautiful hardback edition for Christmas so I happily jumped on board. I am a big Christie fan, watching countless TV adaptations, but as a reader I have read shockingly few of her actual novels and short stories. Time to rectify that me thinks.

If you’d like to join in with Read Christie 2019 then why not visit their website here and sign up for the newsletter.

The February book is The Giant’s Bread which Agatha wrote under the pseudonym, Mary Westmacott. I’m currently listening to that on audio book (my first!).

The March title is The Mirror Crack’d from Side to Side, the 8th Miss Marple novel and one that I very much look forward to reading soon. I have read none of the Miss Marple stories as of yet.

There has been much discussion and awareness about The ABC Murders after the recent BBC adaptation was screened over Christmas. This adaptation was my first experience of the story.

But before we get into the TV adaptation let’s talk about the novel itself…

It is not often that I read the book after watching the film or TV adaptation but I did on this occasion. I enjoyed all three versions but I have to say that it was wonderful to return to the original story, exactly how Agatha Christie wanted to tell it. Her writing is superb and I can see why her stories continue to inspire and engage. If you’ve never read a Christie novel then I urge you to pick one up. They are such a delight and she has a rather brilliant way of bringing humour and a lightness of touch to even the darkest of subject matter. They are, after all, jolly good crime novels, written to reveal the dark side of human nature but first and foremost to entertain…and that they certainly do.

The edition that I received is a stunning hardback edition published by HarperCollins. It is beautiful and certainly adds to the joy whenever picked up. I am hoping they may reproduce the entire Poirot collection in this format. I want to read each and every one. What a wonderful addition to the bookshelves that would make!

Now on to TV…

Now, I came to the conclusion long ago that when watching a film or small screen adaptation of a book it is best to view it, where possible, as a completely separate entity. Very rarely can they be the same. It is after all not (usually) written, directed or produced by the author. It is therefore a collaboration of opinions pulled together from an original story. Not one person will read a story in exactly the same way and when it comes to reproducing they will, of course, want to add their own touch to it.

I thoroughly enjoyed Sarah Phelps’ interpretation on the BBC. It was dark, brooding and kept me thoroughly gripped over the three nights. It has moved towards the slightly more gruesome side that TV seems to need these days. I mean why just batter someone other the head when you can literally decapitate them with a spade or leave them in a vast pool of blood after slitting their throat?

I also found the stereotypical chubby sister of the second murder victim, Betty Barnard, finding freedom from the shadows of her slim, beautiful sister a little unnecessary. The Megan Barnard of the novel was rather intelligent and interesting. We could delve deeper into why Sarah chose for the attractive, promiscuous sister to meet a gruesome end, and the sister who was presented on screen as over weight, drab and bitter, as the one who eventually finds freedom by escaping out the window (where on earth does she go!?) but that’s not for this blog to discuss today. Agatha has written many meek, forgotten women in her novels but they quite often tend to end up having strength simmering beneath the surface, as what is revealed is a strong, resilient (and at times calculating and murderous) woman. Perhaps this is how Sarah chose to portrayed this.

My only (slight) disappointments in this adaptation being the death of Detective Inspector Japp, the absence of Hastings, and the rather sad, lonely and humiliated Poirot that I couldn’t really see in the novels. Once I got over that though I became thoroughly engrossed. I did feel John Malkovich made an excellent Poirot and as the story progressed our beloved character did make a rather wonderful comeback. Saying that I do feel that losing the Belgium accent takes away part of the essence of the character (but I believe that was director, Alex Gabassi‘s call). You could say they have almost created a completely different Poirot.

The retelling as a whole did encourage me to look at Agatha’s books in a new light to see where Sarah’s inspiration came for the backstory and changes she chose to make. This is the wonderful thing about brokerage bringing these fresh adaptations to the screen. Not only do they bring a whole new audience to the stories but they make those of us familiar with the author and characters look at them with fresh eyes too. The acting and overall production was superb and I look forward to more from the BBC and Sarah in the future.

David Suchet – my Poirot

A few weeks after watching the BBC adaptation I settled down to watch the wonderful David Suchet take the lead in the investigation along with Hastings and, thankfully, a very fit and healthy Japp. I never tire of watching these versions and I thoroughly enjoyed it. I have enjoyed each of the many different actors who have taken on the famous detective but Suchet is without doubt my favourite. He played the detective for 25 years and in an article in The Express is quoted as saying that whilst preparing for his role back in 1988…

‘I started to write my private list of Poirot’s habits and character. I called it my ‘dossier of characteristics’. It ended up five pages long and detailed 93 different aspects of life. I have the list to this day – in fact, I carried it around on the set with me throughout all my years as Poirot, just as I gave a copy to every director I worked with on a Poirot film.‘

I feel that he is possibly the truest Hercule to Agatha’s creation. He is a joy to watch and he is how I imagine Poirot to be when I read the books.

Are you taking part in Read Christie 2019? Which Christie novel would you most like to read this year? I’m hoping for Murder on the Orient Express. A story I know very well but still haven’t read.

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Mr Doubler Begins Again by Seni Glaister

Potatoes, gin and friendship…

Do you ever come across a book that you just know you’re going to love? Well last summer I was invited along to the HQ Stories Summer Showcase and I met some wonderful authors that night and discovered some fantastic new books. One of the things I remember most about the evening was how friendly everyone was; the authors, the members of the HQ team, and the other guests. The evening was a great success and each author and novel was beautifully presented. I was introduced to Mr Doubler for the first time and I knew, straight away, that he and I were going to get along.

So it was here on a beautiful summers evening that I had the pleasure of meeting Seni and discovering the rather wonderful Mr Doubler. I was delighted to bring home an early proof copy well ahead of it’s publication date in January. I am a keen gardener and I have even grown my own potatoes down on my allotment, so possibly that may have been what drew me to this particular table but I think it was also a combination of Seni’s warm smile and the beautiful display of proof copies bearing the quote ‘Not every journey takes you far from home…‘

So what’s the story about…

Synopsis

Baked, mashed, boiled or fried, Mr Doubler knows his potatoes. But the same can’t be said for people. Since he lost his wife, he’s been on his own at Mirth Farm – and that suits Doubler just fine. Crowds are for other people; the only company he needs are his potato plants and his housekeeper, Mrs Millwood, who visits every day.

So when Mrs Millwood is taken ill, it ruins everything – and Mr Doubler begins to worry that he might have lost his way. But could the kindness of strangers be enough to bring him down from the hill?

*

This is a wonderful novel and such a pleasure to read. Oh how I loved Mr Doubler and what a joy it would be to sit with him in his warm, inviting kitchen, enjoying one of his expertly produced G&T’s and a slice of homemade cake.

For quite some time Doubler has plodded along quietly on Mirth Farm, with only his potatoes and his housekeeper, Mrs Millwood, for company. He has been perfectly content with his well-ordered, predictable life. His only concern is his potatoes, his ‘secret’ project and the occasional visit from his ‘well-meaning’ children. Until that is, Mrs Millwood is taken ill and his life is turned upside down.

Although I had been looking forward to reading this novel for quite sometime I actually picked it up after suffering from a dose of flu. I’d felt so ill I couldn’t even read and then as I began to feel better Mr Doubler called to me. He was the perfect tonic and a brilliant escape for those moments when life is just feeling a little too gray and drizzly. He made me feel like spring was on the way.

Now novels about old men finding their way have been done and enjoyed before (A Man Called Ove and of course The Unlikely Pilgrimage of Harold Fry are examples that come to mind and that I very much enjoyed) but Mr Doubler is very different, wonderful and completely memorable in his own right.

So what is it that I loved about this novel? Well the writing itself is beautifully done. It carries you along, sweeping you away with the story. Seni has the ability, somewhat Harry Potter like, to pull you into the book so you can almost smell the food on Doubler’s table and hear the sounds of the birds as he takes an early morning stroll around his land.

As he stood at these edge-lands, he allowed his brain to settle into nothingness. It was still dark. He stopped and listened. A bird sang from a hazel branch not far from him. The pure sound cut through the dark and distracted Doubler from his quandary.

‘Hello robin!’ Doubler said, under his breath for fear of disturbing the gutsy singer. ‘It’s a bit early for that racket, isn’t it?’

The lone, tentative voice was almost immediately joined by another flute-like refrain from just behind him. The birds sensed the dawn before any trace of the new day had become obvious to Doubler. These birds, the robin and perhaps a black-bird, were soon joined by several others and now, after just a few moments of listening, the chorus was beginning in earnest and it was impossible to separate one song from another. Together, this competing cacophony should have jarred, but instead it united to form a harmonious ensemble that appeared to be led by one unseen conductor.

Full to the brim with endearing (and a few rather unlikeable) characters, Mr Doubler Begins Again is a joy to read; a celebration of an ordinary man who has done the best he can through some rather difficult circumstances. Doubler shows us the importance of the ‘ordinary folk’, the impact they have, and that each and every one will leave an important legacy in the friends and memories they leave behind. At times I found it incredibly poignant and sad, but at others I was whooping in delight for Mr Doubler and the friends who came to his aid. I cheered him on right until the very last page, and I’m still cheering him on now. There is much more than potatoes beneath the surface of this quiet, old recluse who lives on the hill. I was saddened that those who should have known him the best, were the ones who seemed to not understand him at all. This kind, old soul. What an incredible friend he would be.

Yet even an old recluse like Doubler needs a little help from time to time and this small community found its way into my heart and I feel as though I have learnt so much from them. There are times when we feel like we know what is best for others but in reality only they can know what will bring them contentment and happiness. This novel has taught me that things are rarely black and white. There is always more to the situation than you can see. It taught me that the easy option is not always the best. That each of us, no matter how old we are, are valued and that there is no age limit on hopes and dreams.

One of the characteristics I loved most about Doubler was his absolute unwavering opinions and his lack of fear in expressing them. From his idea of a perfect lunch (potatoes), to the precise ingredients and method of making a gin and tonic. His appreciation of perfectly blended tea and the effort and time he gives to laying on tea and cake for his guests. As, with the assistance and encouragement of Mrs Millwood, he slowly returns to the community, he begins to understand how much he can actually contribute to the lives of those around him and just what that gives him in return. Doubler is a man with a big heart and oh, how I would love to try a sip of his gin.

Gin

The making of gin, as I have recently discovered, is quite an art and the mix of botanicals makes each recipe unique. It has of course recently had a resurgence of popularity. In my childhood I recall it as being the choice of drink by the evil Miss Hannigan (played by the rather wonderful Carol Burnett ) in the 1982 movie Annie, as she literally bathed in the stuff. The drink of drunks and down and outs. Then as an adult myself I enjoyed it cold, mixed with tonic and a slice of lemon. About six months ago I treated myself to a gin subscription (absolute decadence I know but I’m worth it) with The Craft Gin company.

My first delivery from Craft Gin included the most delicious Burleigh’s gin, mixers and oh so scrummy chocolate.

My second box had a rather festive ( but good enough to drink any time) bottle of Tarquin’s Cornish Christmas gin.

I love roses… especially in a glass of Naud’s gin!

Every two months I receive a unique craft gin, mixers and edible treats and also a magazine talking about… yes you guessed it, gin. So it was a total delight when I came to read Mr Doubler chatting about gin. It actual makes my mouth water just thinking about the scene in his kitchen when he first shares his homemade produce. It put me in mind of Joanne Harris’ Chocolat and the way she was able to bring the taste and smell of chocolate so expertly alive within the pages of her book. Seni does the very same here with Mr Doubler and gin.

‘I am, however, not going to overwhelm you. I expect you’re all familiar with the G and T, the ice and a slice. And that is what I shall prepare for you because I want you to notice the gin, not the accompaniments. Some gins lend themselves to this classic treatment. But it is very possible to tease out the flavour of a gin by the addition of other flavours. I am not a gin pedant – in fact, I would go as far as to consider myself more liberal than most.’

While Doubler spoke, he cut the lemon into thin slices, allowing the scent of citrus to fill the room.

‘All gin makers use a mix of botanicals to flavour their spirit. We all know and love juniper berries, and this is, of course, the flavour that we associate with the spirit. Indeed, it is essential to qualify as a London dry gin, as I’m sure you all know. But, depending on the distillery, you might find notes of any number of spices, herbs, plants or other flavourings – for example, coriander, angelica, orange peel, lemon peel, cardamom,orris,cinnamon, nutmeg, cassia bark, almond, liquorice or cubeb. When you’re mixing a drink yourself, it is advisable to accentuate the flavour of the botanicals that have been used to craft it, so a gin that has used rose and cucumber to enhance its flavour might well benefit from the addiction of a slice of cucumber or a couple of freshly picked rose petals. If there are no citrus notes at all, you should steer clear of lemon or lime.’

Now Doubler has certainly given me food for thought when it comes to mixing a gin based beverage and I very much look forward to a little experimentation (with a little bit of help fromThe Craft Gin Club.) Now it’s not everyday you come across a recipe for a cocktail within a novel but there is actually a ‘Mirth Farm’ recipe created by The Mixology Group and I’m delighted to be able to share it with you here. It sounds like the perfect summer cocktail to me.

Mirth Farm Garden Cocktail

SERVES 1

INGREDIENTS

50ml good quality gin

5cm piece of cucumber

20ml lemon juice

20ml cucumber syrup

8-10 mint leaves

Soda

Garnish with large mint sprig

and borage flowers

METHOD

Add all but soda to a tall glass

and lightly muddle.

Fill glass with crushed ice and

the add a dash of soda.

There are plenty of recipes for cucumber syrup on the internet so why not make a small batch and give it a try. It sounds perfectly refreshing.

*

Whatever your tipple be it gin, wine or a nice cup of tea, I definitely recommend reading this rather wonderful novel and welcoming Mr Doubler into your life…it will be all the better for it.

Mr Doubler Begins Again was published in January 2019 by HQStories.

You can follow Seni on Twitter: @SeniGlaister

You can follow HQStories on Twitter: @HQstories

The Craft Gin club have exclusive offers for new members so do check out there website here.

Thanks again to HQStories for inviting me to the showcase last summer and to Seni for my copy of Mr Doubler (and for signing it too).

Beton Rouge by Simone Buchholz

The second book in the critically acclaimed Chastity Riley series.

On a warm September morning, a man is found unconscious and tortured in a cage at the entrance to the offices of one of Germany’s biggest magazines. He’s soon identified as a manager of the company. Three days later, another manager appears in a similar way.

The magazine staff were facing significant layoffs, so sympathy for the two men is in short supply. Chastity Riley and her new colleague Ivo Stepanovic are tasked with uncovering the truth behind the attacks, an investigation that goes far beyond the revenge they first suspect, to the dubious past shared by both victims. Travelling to the south of Germany, they step into the hothouse world of boarding schools, where secrets are currency, and monsters are bred…monsters who will stop at nothing to protect themselves.

This is the second novel featuring Chastity Riley and although I don’t think it is vital to have read the first, it could possibly give you a little insight into her back story. The case she is called in to help on is a strange one. A man is discovered in a cage outside his place of work. He’s been tortured but he’s alive. Immediately you know this isn’t your regular crime story. They’re not looking for a murderer but it suggests a different kind of criminal who is looking to terrify and humiliate their victims. A person who wants the scars left behind to go much further than any physical ones ever could. They want their victims to suffer, to carry the weight of their experience with them for the rest of their lives.

There is an intense creepiness to these crimes, especially with the level of dislike aimed at the victims from even those who now work with them. This is a difficult case to get to the bottom of but it soon becomes clear that their past is about to catch up with them in a very unpleasant way. But what are the crimes leading to and can Chastity and Ivo find out who’s behind these kidnappings and work out who the next target is before they turn deadly? As you get to know each of the victims and the story that binds them together it’s difficult to feel sorry for them. These are not nice people. Yet does that make us more sympathetic to the perpetrator? For me, as a reader, that’s an uncomfortable place to be but it raises some interesting questions and creates a gripping storyline.

Chastity herself is an unusual heroine. She’s a hard-drinking mess of a person but somehow manages to get the job done. Her story is compelling and seems complex. She has suffered and is obviously running from her own demons. The writing style is sharp and punchy adding to the sense of chaos that seems to follow Chastity. How she gets up and with it most days I’m not sure but there is a steely determination about her. It’s refreshing to see such a strong but damaged female lead and I look forward to getting to know her more.

This is a series to watch and I thoroughly urge you to jump on board.

About the Author

Simone Buchholz was born in Hanau in 1972. At university, she studied Philosophy and Literature, worked as a waitress and a columnist, and trained to be a journalist at the prestigious Henri-Nannen-School in Hamburg. In 2016, Simone Buchholz was awarded the Crime Cologne Award, and second place in the German Crime Fiction Prize, for Blue Night, which was number one on the KrimiZEIT Best of Crime List for months. She lives in Sankt Pauli, in the heart of Hamburg, with her husband and son.

You can follow Simone on Twitter: @ohneklippo

or visit her website: www.simonebucholz.com

If you’re new to Simone and the series why not start with Blue Night in which we are first introduced to Chastity Riley.

After convicting a superior for corruption and shooting off a gangster’s crown jewels, the career of Hamburg’s most hard-bitten state prosecutor, Chastity Riley, has taken a nose dive: she has been transferred to the tedium of witness protection to prevent her making any more trouble. However, when she is assigned to the case of an anonymous man lying g under police guard in hospital, Chastity’s instinct for the big, exciting case kicks in.

Using all her powers of pursuasion, she soon gains her charge’s confidence, and funds herself on the trail to Leipzig, a new ally, and a whole heap of lethal synthetic drugs. When she discovers that a friend and former colleague is trying to bring down Hamburg’s Albanian mafia kingpin single-handedly, it looks like Chas Riley’s dull life on witness protection really has been short-lived.

About the publisher

Orenda Books is a small independent publishing company specialising in literary fiction with a heavy emphasis on crime/thrillers, and approximately half the list in translation. They’ve been twice shortlisted for the Nick Robinson Best Newcomer Award at the IPG awards, and publisher and owner Karen Sullivan was a Bookseller Rising Star in 2016. In 2018, they were awarded a prestigious Creative Europe grant for their translated books programme. Three authors, including Agnes Ravatn, Matt Wesolowski and Amanda Jennings have been WHSmith Fresh Talent picks, and Ravatn’s The Bird Tribunal was shortlisted for the Dublin Literary Award, won an English PEN Translation Award, and adapted for BBC Radio Four’s Book at Bedtime. Six titles have been short- or long-listed for the CWA Daggers. Launched in 2014 with a mission to bring more international literature to the UK market, Orenda Books publishes a host of debuts, many of which have gone on to sell millions worldwide, and looks for fresh, exciting new voices that push the genre in new directions. Bestselling authors include Ragnar Jonasson, Antti Tuomainen, Gunnar Staalesen, Michael J. Malone, Kjell Ola Dahl, Louise Beech, Johana Gustawsson, Lilja Sigurðardóttir and Sarah Stovell.

www.orendabooks.co.uk

On Twitter: @OrendaBooks

Call Me Star Girl by Louise Beech

A Tales Before Bedtime Sunday Review

Sometimes you discover an author and there is an instant connection.  You soak up their words and disappear into their worlds.  Whenever you hear there is a new offering on the horizon your ears prick up, damn it your whole damn head up – somewhat like a meerkat – and wait eagerly for it to arrive.  It’s a truly wonderful feeling.  One such author that holds that magic over me is Louise Beech. Her writing never fails to leave me entranced.  Her novels are all so different and yet all so wonderful.  I can’t tell you how happy I was to receive a proof copy of her latest novel, Call Me Star Girl.  

There were three things that sold this novel to me.  

The author. The publisher. The synopsis.  

Although the fact that it was quoted as being ‘reminiscent of Play Misty For Me, surely one of Clint Eastwood finest and most chilling of films, did catch my attention too.  I watched the film again not too long ago and there is still so much I love about it, not least the 70’s music, style and cinematography, but it gives you the feeling that you’re watching a series of events spiralling helplessly out of control. All these factors put together had me feeling this novel was going to be GOOOOD.  And Oh my, I wasn’t wrong.

Call Me Star Girl by Louise Beech

Tonight is Stella McKeever’s final radio show.

The theme is secrets.  You tell her yours, and she’ll share some of hers.  Stella might tell you about Tom, a boyfriend who likes to play games, about the mother who abandoned her, now back after fourteen years.  She might tell you about the perfume bottle with the star-shaped stopper, or about her father…

What Stella really wants to know is more about the mysterious man calling the station, who says he knows who killed the pregnant Victoria Valbon, found brutally murdered in an alley three weeks ago. 

Tonight is the night for secrets, and Stella wants to know everything.

In her writing Louise delves deep into the mind. She looks at cause and effect, how events and trauma shape our personalities and actions. We can never really know what goes on in another’s mind and she shows the dark maze winding deep within each of us; holding endless fears, desires, doubts and secrets. It is truly powerful. Call Me Star Girl also looks at the darker side of love. The all-consuming love that can rarely end well. The story is dark, creepy and utterly engrossing as Stella’s past and present collide with shattering consequences.

Louise’s characters have this wonderful ability to get inside your head, leading you on with the story, sharing their story, so you are standing right beside them in that dark, god forsaken alley. Atmospheric to say the least, the setting of a radio station through the night provides the perfect backdrop for events to unfold.

Her plotting is superb, the twists and turns leaving you fearful for the outcome but unable to tear yourself away. This is one story that will stay with you; like a whisper it will creep into your thoughts long after you turn the final page.

Absolutely brilliant and thoroughly recommended.

Here is a wee snippet taken from the first few pages…

‘The lights buzzed and flickered. I held my breath. Exhaled when they settled. I would not be spooked by a trickster.

Stella, this will tell you everything.

How did they know what I wanted to know?

What was everything?

I opened the main door, book held tight to my hammering chest. The car park was empty, a weed-logged expanse edged with dying trees. It’s always quiet at this hour of the night. I waited, not sure what I expected to happen – maybe some stranger loitering, hunched over and menacing. They would not scare me.

“I’m not afraid,’ I said it aloud.

Who was I trying to convince?

I set off for home. I usually walk, enjoying the night air after a stuffy studio. I’m not sure why – though now it seems profound – but I paused at the alley that separates the allotment from the Fortune Bingo hall. Bramble bushes tangle there like sweet barbed wire. It’s a long but narrow cut-through that kids ride their bikes too fast along and drunks stagger down when the pub shuts. I rarely walk down there, even though it would make my journey home quicker. The place disturbs me, so I always hurry past, take the long way around, without glancing into the shadows.

I did that night too.

But I looked back. Just once, the strange book pressed against my chest.

It was two weeks before they found the girl there.

Two weeks before I started getting phone calls.

I didn’t know any of that then. If I had, I might have walked a little faster.’

About the Author

Louise Beech is an exceptional literary talent, whose debut novel How To Be Brave was a Guardian Readers’ Choice for 2015.  the follow-up, The Mountain in My Shoe was shortlisted for Not the Booker Prize.  Both of her previous books Maria in the Moon and The Lion Tamer Who Lost were widely reviewed and critically acclaimed.  All four have been #1 kindle bestsellers.  Her short fiction has won the Glass Woman Prize, the Eric Hoffer Award for Prose, and the Aesthetics Creative Works competition, as well as shortlisting for the Bridport Prize twice.  Louise lives with her husband and children on the outskirts of Hull, and loves her job as a Front of House Usher at Hull Truck Theatre, where her first play was performed in 2012.

You can follow Louise on Twitter: @LouiseWriter and visit her website here.

Call Me Star Girl is published by Orenda Books on April 18th 2019 which still gives you plenty of time to discover Louise’s previous work if you haven’t yet done so.

Thank you so much to the lovely team at Orenda Books for sending me the proof copy to read and review for an honest opinion.

 

 

Read Christie 2019 – The official Agatha Christie Reading Challenge

If you’ve visited my site recently you may well have guessed I’m rather fond of an Agatha Christie story. Growing up I enjoyed watching Hercule Poirot on television (both Peter Ustinov and David Suchet) and I still watch them to this day – I recently enjoyed a very lazy, relaxing afternoon watching back to back Death on the Nile and Evil Under The Sun. I also thoroughly enjoyed the recent BBC adaptation of The ABC Murders. I read my first actual Agatha Christie book about this time eleven years ago. I remember it vividly as I was newly pregnant and suffering from a heavy cold. I was ill enough to need a few days in bed and although my head pounded I just couldn’t stop reading until the book literally fell from my hands.

My delight and enjoyment of her stories has never ceased and although I have seen many adaptations on the screen I haven’t read as many as I would have liked. So I am going to rectify that by signing up for the Read Christie 2019 challenge on the official Agatha Christie website. I thoroughly look forward to discovering some old favourites along with some new tales from the Queen of murder mystery herself.

We begin with The ABC Murders. I know the BBC adaptation has received a mixed bag of responses but personally I really don’t mind how faithful an adaptation is to the original book – I like to see a story from a different perspective. I am intrigued to see the differences though and can’t wait to read the story as Agatha intended it. Already I’m thrilled to find Japp very much alive and Hastings providing the narration.

So my reading pile grows ever larger with new and now classic fiction. I look forward to sharing them with you. Have you read any Agatha Christie before? If so which would you recommend? Do answer in the comments and do let me know if you’re also taking part in the reading challenge.

Must go now… am itching to get reading.

Poppy Denby Investigates by Fiona Veitch Smith

Another fabulous discovery for me this year is the Poppy Denby Investigates series. I do love a whodunnit and have been a big Agatha Christie fan for many, many years, so these tick all sorts of boxes for me. I read book four in the series, The Cairo Brief, just recently and have since received the previous three titles which I very much look forward to curling up with. This series is perfect for lovers of a good, classic crime novel. Poppy Denby is a feisty, intelligent protagonist and I very much look forward to following her adventures.

Find out more about the series by visiting author Fiona Veitch Smith’s website here.

Maria In The Moon by Louise Beech

This next title is for adults. Louise is a wonderful, wonderful writer. Her stories are incredible and she has the most beautiful way with words. Her first novel was only published in 2015 and already she has an impressive collection of titles under her belt. I urge you to try any one of them but today I’d like to recommend the one that introduced me to this fantastic author and in which I fell in love, Maria In The Moon.

Like a cold spider, the memory stirred in my head and spun an icy web about my brain. Someone else crawled in. I remembered’

Thirty-one-year-old Catherine Hope has a great memory. But she can’t remember everything. She can’t remember her ninth year. She can’t remember when her insomnia started. And she can’t remember why everyone stopped calling her Catherine-Maria.

With a promiscuous past, and licking her wounds after a painful breakup, Catherine wonders why she resists anything approaching real love. But when she loses her home to the devastating deluge of 2007 and volunteers at Flood Crisis, a devastating memory emerges … and changes everything.

Dark, poignant and deeply moving, Maria in the Moon is an examination of the nature of memory and truth, and the defences we build to protect ourselves, when we can no longer hide…